The visual album is a little over 40 minutes long, but in that short amount of time, it taps into many of the multihyphenate’s emotions and experiences, like unhealthy relationships, therapy, family dynamics, and more – all while showcasing Keke’s bops and fire dance moves. One scene that resonated with me most is when she walks into a music studio with someone in the music industry she thought she could trust, played by Harlem’s Robert Ri'chard.
You expect to be greeted by the studio norms, but instead, the room is filled with dead animals and people eating raw meat, while everyone is strangely oblivious to it. Just from that startling scene, it’s clear that her experience within the music industry was a dark one. She explains, saying, “The biggest struggle, simply put, was misogyny and politics, just trying to get people on board with you, people are so clicky and don’t see success for you. It’s just a lot of drama that’s not based on talent, and it gets really exhausting and tears at your spirit."
She continues, “Every artist is sensitive and trying to grow, learn, and be safe in their career, and it’s constantly halted with all of the other stuff. The people I was choosing to be around were not for me. It’s the same people that continued the negative narrative that I became conditioned with from my first record deal.”
As the art continues to dig into what she went through in the industry. It also explores her personal relationships with loved ones and how she unpacked them through therapy. In one emotional scene, she opens up about not fitting in. She tells her mother: “I feel trapped. It’s like knowing exactly who you are, and everyone’s looking at you and seeing something different.” I don’t know if it was the fact that Mama Palmer was actually playing herself or the power of Keke’s words, but it felt very honest, and it made me wonder where it stemmed from.
She expounded on the scene, saying, “Everybody is perceived as someone now in the social media era, but I was coming from my own personal story, growing up in front of people and being seen since I was a kid. I can never go back from that; I can never be a new person again. I’m always going to be whoever people invented me to be. My mom used to say this quote to me, ‘never let other people’s perception of you be a perception of yourself,’ that is hard to do. But I finally had to live up to the quote and resist the temptation to allow people to tell me who I’m going to be and what’s there for me, which specifically happens a lot in the music industry.”
"My mom used to say this quote to me, ‘Never let other people’s perception of you be a perception of yourself,’ that is hard to do. But I finally had to live up to the quote and resist the temptation to allow people to tell me who I’m going to be and what’s there for me, which specifically happens a lot in the music industry.”
You can tell sis is feeling real liberated, and the art isn’t the only reason. She credits the love from her relationship and son for sparking something new in her. “I have such a beautiful bond with my mother, but it’s not something I thought I could realistically have outside of my family,” the new mom explains. “The kind of unconditional support and love they give me is so selfless. I just wanted a partner that felt like my family – one that wasn’t burdened or intimidated by my success, and I think hoping that and thinking about it brought it into my life.”
Keke also feels like motherhood has impacted her creatively and brings a sense of peace. “Nothing is more important to me than my son. It’s this sense of ease because there’s nothing I care about more than him. Everything will be okay. That ease has brought tons of inspiration, courage, and power,” she says. “He’s my everything. At one time, all I had was my career, then it went to building a bond with my partner, and that was the beginning of me really having something of my own. It’s not a part of entertainment; it’s my family, so for that to keep growing, it just makes me that much more creative and full.”
Wait a second – speaking of things her son gave her. We had to get into her mom-bod. Like many, motherhood has changed her body, and the millennial diva looks bomb AF, while she mentioned being appreciative of all the love she’s getting online about it, it made us discuss the pressure women sometimes face trying to fit an aesthetic.
“I think I’ve always been body conscious because so much is about your body in the industry. But after having my son – I’m just like, who gives a shit? I still want to be on point because that’s part of my industry. But I think a lot of moms feel that snapback culture because of celebrities and social media."
She continues, “I try to stay on point because of the opportunities I want, but it’s never to the point where it’s life and death. I think there’s a level of confidence I have in this new body. It’s really about how I feel inside, more than what it looks like outside. I never thought I would have this (hips, thighs, etc.), but now it’s here, and I’m so confident. I feel better than ever.”
“I think I’ve always been body conscious because so much is about your body in the industry. But after having my son – I’m just like, who gives a shit? I still want to be on point because that’s part of my industry. But I think a lot of moms feel that snapback culture because of celebrities and social media."
From Barbershop and Akeelah and the Bee to Nope and Hustlers to the endless viral digital moments, Keke continuously works and keeps us entertained. But one of my personal favorite things about her is how inspiring she is, and the Big Boss music and film is a clear example of that. “I think I’ve seen a lot of benefits to the seeds I’ve sown. I overcame a lot. Specifically, I’m not afraid to be my biggest champion. I’m not in a place where I need people to agree. I feel so secure, and that was kinda the energy that we [her and her EP, Grammy award-winning Tricky Stewart] put into the project.
"This Big Boss era is ultimately about ownership, independence, and strength. There’s been moments in my life where there might have been hesitation or confusion, but now everything is solution-based.” Keke embodies the idea that you can do what you love with who you love on your terms. And I really love this Big Boss Era for her and can’t wait to add the music to my playlist. It’s giving, summer 2023 is gonna be one for the books!
Big Boss, the film is available Friday, May 12, 2023, exclusively on KeyTV and available for streaming wherever you stream your music.
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Feature image courtesy of Keke Palmer
Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
group of fresh graduates students throwing their academic hat in the air
Photo by Vasily Koloda on Unsplash
Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
woman in black and white dress on brown rock formation on sea during daytime
Photo by Naja Bertolt Jensen on Unsplash
Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
multicolored hotair balloon on sky
Photo by Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
However, I would also see other naturals wear their hair straight, only for it to revert right back to its tight curly pattern. It made me curious, and I started to ask different natural hair stylists whether the myth was true. They all responded, “You can, but not too much.”
In case you're like I was and are a little hesitant about applying heat to your hair out of fear of damage, I want to debunk a lot of the hair-straightening myths so you don’t have to be afraid to switch up your style every now and then. Here’s the truth about heat on natural hair and how to prevent damage.
Straightening Your Hair Isn’t Bad
Don’t listen to the naysayers, the only person you should listen to is your stylist. If you’re considering switching up your curly hairstyles for something sleekier, your stylist will guide you and give you tips on the best way to do that.
One of the benefits of natural hair is that it’s typically stronger and has high elasticity to fight breakage and damage. Plus, natural hair is versatile and not confined to just one style or look. In fact, my hairstylist, Aliya Abbey of Mane Mastery, says:
“One myth that I tend to see when it comes to natural hair is we need to stay away from all heat – blow drying and straightening. While some naturals prefer to avoid heat completely, it can actually work against you. Stretching the hair for trims gives more precision and a better look at the overall health of the strands, whereas curls can camouflage split ends and damage.”
There’s No Specific Rule Book
Generally, there are best practices for maintaining healthy hair, but truth be told, it’s not one size fits all. Hair texture, porosity, health, etc., all play a role in what you can do and how to do it. What may work for you may not work for others, and vice versa. Aliya continues, “Some hair strands can withstand more heat than others.”
It’s important to know your hair so you can create a routine and plan that works best for you.
Moderation and Minimization Are Key
As I mentioned before, too much of anything can be bad for you. When thinking of straightening your hair, protective styles, etc., it’s important to be aware of how often you're manipulating your hair. In general, a lot of naturals can’t keep our hands out of our hair, it kinda comes with the territory.
Implementing a low-manipulation routine can minimize breakage, create stronger hair strands, and promote hair growth. It’s not always what you do but how much you’re doing it. In terms of how often you should straighten your hair, Aliya adds that “straightening more than two times a month could cause weakness in the hair."
Use the Right Tools
I used to think all heat tools were the same. I've always based healthy straightening practices on technique. While that's true, the tools you use are just as important. The cheaper blow dryers and flat irons tend to overheat your hair or not straighten your hair well enough. When it comes to flat irons, it is best to get one where you can control the heat via temperature instead of high and low. This will allow you to see how much heat you're putting on your hair and have control.
On the other hand, if the blow dryer or flat iron isn't of quality, it will require you to pass through your strands more than necessary and possibly burn your hair. "Heat damage is caused by tools that are too hot, tools that are being passed by a section of hair too many times, and/or dehydrated hair. It's important to take note of the type of tools being used and the frequency of straightening. Don't forget to steam and hydrate!"
Heat Damage Is Preventable
One last fact about straightening natural hair is that heat damage is preventable, not inevitable. There are a few ways to avoid heat damage, one being steam and deep conditioning your hair. Doing this not only makes the strands more hydrated but also stronger.
Secondly, using a heat protectant is important. It creates a barrier between hair and heat exposure to protect your strands.
Lastly, have a professional do it. If you don't know what you're doing, get someone who does. Using the right care and technique can save you and your hair a lot of stress. Seeing a stylist who specializes in natural hair and silk presses can promote strong, healthy hair and avoid heat damage.
Don't be like me and let the unnecessary fear of heat deter you from your versatility. As long as you prioritize your hair health, you'll be okay. I follow the exact same routine with the help of my stylist, and my hair thickness, elasticity, and health have never been compromised.
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Featured image by Deagreez/Getty Images
The Great Report
2020 Global Report Sheet
Anyway, there is so much to adore about the sitcom, even as it (rightfully so) plays in heavy rerun rotation to this day. There are the solid friendships between four Black women who remind me, interestingly enough, of the four hilarious seniors from The Golden Girls: Khadijah could easily be Dorothy; Synclaire would be Rose; Max would be Sophia, and Regine would be Blanche (wild, right?). There’s the beautiful friendship between their male sidekick neighbors, Kyle and Overton (Black male bonds are also a very precious and necessary thing). There are the relevant storylines, quick wit, and the kind of entertainment that most television shows today can’t even begin to touch (le sigh). Yeah, Living Single deserves all of the flowers to the point where I’m still pissed that it was canceled in the middle of its fifth season (although, thankfully, many questions were actually answered in the last episode).
Yet, even with all of this said, if I had to name my absolute favorite thing about the show, hands down, it’s the fact that when I stop and think of all of the shows that I’ve watched over the years (and it’s been a lot of them), Living Single is one where I think that every main love connection was pretty damn healthy. Not only that, but there is one couple, in particular, who I think a lot of folks could stand to learn how to love well and right from (heads up, it’s probably not the one you think).
So, in honor of the show being 30, humor me as I take just a few minutes to formally and officially shout out a few reasons why, when it comes to displaying Black love and hell, love in general, Living Single set the bar, raised it and then added tax — thirty years ago and present day.
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Khadijahand Scooter
I like getting t-shirts made with pics of some of my favorite Black love couples. For instance, I recently got one done with Jesse and Angie on it (the real ones know who they are); folks always compliment me when I wear it.
There’s one couple, in particular, though, who’s been triggering the mess outta me for the past several months. It’s because, although I crown them as the healthiest fictional couple in television history (Black or otherwise), it’s hard as hell to find any good shots of them. Yep, that would be Khadijah (Queen Latifah) and Scooter (Cress Williams).
They were childhood friends who stayed friends. They always wanted what was best for each other. They didn’t let really good sex (remember their first time when Khadijah said, “We started kissing, and my clothes fell off!”) infect their friendship. Even when they got engaged, they broke it off because they knew that, even though the love was there, they were doing it (at the time) for the wrong reasons. They supported each other’s careers. Scooter was not threatened by Khadijah’s ambition (or other boyfriends; remember when she was about to move in with ole’ boy and Scooter was basically like, “I mean, I did pop in unannounced. My bad.”) Yet, he was also confident enough to tell her about herself sometimes (because if there’s one thing she hated, it was receiving correction and giving apologies).
On the flip side, when Scooter had to travel away for long periods of time, she didn’t put unrealistic restrictions on him. They both just kind of let each other be and allowed their love for one another to exist — even if it had to change different forms in different seasons of their lives. Their love was so full, real, and special that I truly believe that if Fox hadn’t “foxed” the show (SMDH), they would’ve gotten married — and had a really solid and drama-less union. Because the relationship was about freedom, respect, and friendship. And that is healthy as hell, y’all.
Yeah, HANDS DOWN, they are the cream of the crop when it comes to relationships to me. Who gives AF about Rachel and Ross (from Friends)? Khadijah and Scooter have always run crop circles around them in my eyes, chile.
Synclaireand Overton
I already know that most of y’all probably think that I should’ve led with Synclaire (Kim Coles) and Overton (John Henton) since they were definitely the most popular couple on the show (again, I had to go with my personal favorite, though) — and with just cause.
All of the “day ones” remember that the first episode of Living Single featured Overton seeing Synclaire for the first time and instantly being drawn to her and her quirkiness (like that big ass troll doll that she rolled up to the brownstone with). He pined away silently for what seemed like forever as he was low-key courting her in the process (like when he faked being an accounting expert just to spend time with her). When they finally did get together, Synclaire and Overton took their time before having sex and yet were super affectionate and doting on one another in the meantime; this serves as a great reminder that intimacy doesn’t have to require copulation. They openly communicated their needs and expectations. They shared a liking for some of the strangest stuff around.
Overton had a way of being protective yet supportive of Synclaire (like when she was naked in that play), while Synclaire had his back when it came to things like resolving matters with his ex (remember when he kissed his ex and realized he was really over her? Classic). Something else that was cool about Synclaire and Overton is you saw dating go to courting, courting go to engagement, and engagement go to a traditional church wedding. They were sweet. They were old-fashioned (without being super critical of the other couples). They were adorable. They had a not-perfect-yet-very-uncomplicated kind of love. And isn’t it grand to be reminded that Black love can be just that way?
Synclaire and Overton are the kind of relationship that a lot of us probably imagine our great-grandparents had back in the day. And if anyone on this list is probably still together with some grandkids who also have troll dolls and tool belts for toys, it would be them. No question.
Maxineand Kyle
These two right here, boy. Definitely, the couple who was the most fun and entertaining to watch consisted of Maxine (Erika Alexander) and Kyle (TC Carson). And can we take a moment to shout out the trendsetting hairstyles Maxine had and how intentional Kyle was about tailoring his outfits? Salute. Anyway, if any two people are an example that constant banter can indeed be foreplay, they would be it.
The clap backs were top-tier (and daily), and yet, there was a brilliance in their timing and delivery that makes them ending up together (eventually) make a ton of sense. Come to think of it, that’s what I liked the most about them — the way they let life mature some things in them both. When they had sex for the first time, they went on a date and realized (I think it was more Max’s fear than anything at the time) that good chemistry and great sex do not automatically make a solid relationship (which is mature as hell).
When they tried having just a sexual relationship (because the sex was so good), they were careful not to let it ruin their, I’m not sure if it was exactly a friendship (LOL), yet they were definitely solid advocates of one another. Even when tinges of jealousy would rear their ugly head (like when Kyle brought a woman, played by Kenya Moore, on a date), they were self-aware enough to reel it in, and when it came time for Kyle to leave for London (check out the backstory on why TC Carson actually left the show early here), even though he wanted Max to come with him, they didn’t “fairy tale” their journey. Kyle went on with his life, and Max went on with hers. Hey, it happens. Even with great sex and chemistry…to some, it happens.
Yet the best part about these two is how the universe has a way of making sure people who are meant to be have ample opportunities to accept that fact. And while it is a little wild to spin the story to where Max goes to a sperm bank and the sperm she gets is Kyle’s — I do adore that she ended up pregnant at a time when both of them appeared to be ready for a baby and a relationship together. Finally, there was full-circle peace — still loads of banter-foreplay but also a ton of peace. Well played.
Regineand Darryl
Okay. If y’all are true fans of the show, then you know that a fun fact is Regine (played by Kim Fields, who also left the show early; read why here) and Kyle dated briefly — which makes them another healthy couple when you stop to think about it because going from dating to a very sweet brother and sister dynamic? That doesn’t happen every day. And while some of you might be surprised that I didn’t go with fine ass Keith (Khalil Kain), Dexter (Don Franklin), who she ended up getting engaged to, or even the Jamaican writer Russell (Shaun Baker), who always got her to shimmy and who she said was a great kisser…I think there is another romantic connection she had who topped them all: Darryl, who was played by the late and great Heavy D — the ONLY celebrity who, to this day, I can personally say that I haven’t heard one negative thing about whether it was during his life or it was after his death.
Clearly, their relationship wasn’t super long-lasting because I couldn’t even find a GIF for it like I did for the others. Doesn’t matter, though. Darryl was a blue-collar brotha with a heart of gold, a strong sense of spirituality, a profound way of looking at life, and a comfortableness in his skin that actually got Regine out of a lot of her superficialness and materialism — and that deserves a lot of props all on its own. And because he taught Regine to look past the surface, even when they did break up, they continued having a deep respect for one another. So much, in fact, that when Regine found out that Darryl’s bride-to-be, Tina (Vivica A. Fox) was screwing around, she made sure to tell him because that’s how much she still cared for him. Beautiful.
Regine and Darryl are reminders that sometimes people come along to “refine our rough edges” so that we’ll be ready for who our “forever” is actually supposed to be. And yes, that deserves its own round of applause.
Can you tell that I watched Living Single more than a lil’ bit? Indeed and with no regrets, especially these days. Because sometimes, as I’m flipping through channels and I can hear my own self say, “TV really does hate my people” (which is another message for another time), it’s nice to see throwbacks that are full of integrity, humor and yes, healthy Black love. And as you can see, one that was in excellence is Living Single, for sure.
So, from the very bottom of my heart and with oodles of appreciation — Happy 30th, Khadijah and Scooter, Synclaire and Overton, Max and Kyle, Regine and Darryl. You will always be necessary…because healthy Black love always is.
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