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Photo by Surface on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

group of fresh graduates students throwing their academic hat in the air Photo by Vasily Koloda on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

woman in black and white dress on brown rock formation on sea during daytime Photo by Naja Bertolt Jensen on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

multicolored hotair balloon on sky Photo by David Clode on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

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When Winter Baxter and Kelsey Beckford, co-founders of BeckzBax Supper Club, step into a restaurant, heads turn. It's impossible to miss Winter’s close crop cut and Kelsey’s flowing braids, both with glowing smiles that radiate genuine warmth and confidence. But, it’s not just the two that cause eyes to redirect from glasses of wine and exotic dishes, it's their entire party. The Spelman sisters turned best friends are also flanked by 10 to 15 Black women when they are all escorted to their table.

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The fear of heat damage has been instilled in me since I went natural six years ago. Since then, I vowed to take my hair health seriously and put that above all else, unfortunately, straightening my hair didn’t seem to align. People will constantly tell me, “Don’t straighten your hair, it’ll mess up your curls.” I heard this so much that it made me nervous every time I had to do it.

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Actress and entrepreneur Gabrielle Union is bringing attention to the crucial role social media has played in shaping how Black actresses are perceived in the entertainment industry.

The 50-year-old, who began her career as a model before transitioning into acting, rose to fame between the late 1980s and 1990s by guest starring in several hit shows such as Saved by the Bell and Sister, Sister. Union's success would only skyrocket from there. Her breakout role, however, was in Bring It On, and from there, she starred in several other films and her own TV show, Being Mary Jane, and ultimately became a household name.

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I don’t know about (some of) y’all but every time that I see a 90s movie or television program turn the Big 30 (or hell, even 20, for that matter), it definitely makes me feel some type of way. Lawd, where does the time go? Truly. And I definitely don’t feel any differently about Living Single — the show that, for starters, we all know Friends should attribute at least 75 percent of its success to since it basically gypped its entire concept from it. (Don’t get me started! Just know that you can read more about that very thing here, here, here, here, and here).

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