Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
group of fresh graduates students throwing their academic hat in the air
Photo by Vasily Koloda on Unsplash
Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
woman in black and white dress on brown rock formation on sea during daytime
Photo by Naja Bertolt Jensen on Unsplash
Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
multicolored hotair balloon on sky
Photo by Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."
The Great Report
2020 Global Report Sheet
