[test product center]

It all started with a pair of sweatpants. They were gray, shapeless, two sizes too large, with my company’s logo printed on the left hip—a gift given out at our 2019 holiday party. I couldn’t resist sinking into their cozy warmth every chance I got. After three months of enjoying them on weekend bodega runs, they became a much more permanent part of my wardrobe when the pandemic hit. With nowhere to go, I couldn’t muster up the energy to wear anything else.

My sleek leather pants and cool vintage Levi’s only reminded me of how life as we knew it was over.In the grand scheme of things, this was not a problem. I had my health, my family was safe, and I could easily work from home—it was a privilege to have enough time and energy to even briefly think about clothing. But by April 1, 20 whole days into my quarantine, it felt like I’d been wearing sweats forever. That’s when I had an idea.

I’m a novelist, and at that point, I was 60 pages into writing a murder mystery. I abandoned that project—it was too depressing—and cast around for another topic. Sick of my aforementioned sweatpants, I wanted to dive into a glamorous world. I imagined my new protagonist would be a fashion stylist. (This was truly the very first character detail I came up with.) I missed live music and all the other fun New York City has to offer, so I decided her love interest would be a musician, and they’d have date nights at all my favorite restaurants and bars. I craved travel, so there’d be chapters set in Portland and Miami. Most of all, I wanted to hug my grandparents, so I dreamed up a fabulous matriarch. Two years later, that book hit shelves. It’s called Meant to Be Mine, and it’s about a woman who knows the exact day she’ll meet the love of her life, thanks to a prophecy from her eccentric grandmother.

Student cat today

brown tabby cat on white stairsPhoto by Alexander London on Unsplash


assets.rebelmouse.io

Meant to Be Mine' by Hannah Orenstein

One of my favorite parts of writing the book was constructing a fictionalized version of New York’s fashion industry. I knew the subject fairly well, thanks to years of interning for fashion magazines and a womenswear designer, as well as reporting on fashion week. I’ve spent my entire career as a writer and editor for lifestyle publications in the city—so while I’m not a fashion industry insider, I’m pretty adjacent. Still, I wanted to learn more, so I started my research.

To flesh out stylist Edie Meyer’s world, first I called Audree Kate López, a stylist living in Manhattan, to get the scoop on what her career looks like behind the scenes. We had crossed paths early on in our careers when I was at Seventeen and she was at Redbook. I’ve been a fan of her work ever since. She has such a knack for styling vibrant, fresh, very New York looks that embody the energy I wanted readers to feel while reading my book.

She told me about the time she styled a pop star with such long, unwieldy nails, she couldn’t put on her own underwear. She talked about a gig styling a rapper who insisted on having lobsters delivered to the set of his photoshoot. Off-camera, López cringed as lobster juice dripped all over the expensive pants she was wearing. I couldn’t resist putting both of those stories in the book. She also considered descriptions of my characters and recommended brands they should wear. (For Edie herself, vintage Versace and Valentino from her grandmother’s closet paired with chunky Lulu Frost jewelry.)

I also used my own experiences in magazines as inspiration. Pre-2020, I went to lots of press previews, which strike me as such a quirky element of the industry. The guests were often familiar to me—typically people who held my same job title at other publications. I could count on there being copious amounts of wine and cheese, and I was always tickled by the unusual perks publicists offered to get busy writers and editors in the door. (I’ve received everything from a dance class led by the Rockettes to Beyoncé tickets.)

In Meant to Be Mine, Edie goes to a press preview and air-kisses the guests she knows: fashion editors, Bachelor contestants-turned-influencers, and “Frank, who does not work in fashion (or seem to work at all), and yet somehow makes an appearance at more industry parties than any of us.” (Don’t we all know a Frank?) She enjoys the brand’s signature cocktail, and after viewing the clothes, listens to a “fireside chat by a renowned career coach,” because what else would a brand specializing in great suits do?

Photo by Surface on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

group of fresh graduates students throwing their academic hat in the air Photo by Vasily Koloda on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

woman in black and white dress on brown rock formation on sea during daytime Photo by Naja Bertolt Jensen on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

multicolored hotair balloon on sky Photo by David Clode on Unsplash

Robbie also explains that everything about the film was very tangible and very fake — that way, it would feel like we were really watching a bunch of Barbie dolls. "The biggest touchpoint for us was that everything in this movie had to be authentically artificial," she says. "If you're going to see the sky, it had to be painted. You had to be able to see that it was a painted backdrop."

[rebelmouse-proxy-image https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzU2NzkzMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcwNzM5MDk3NH0.dOVZTE_QqML3EbrsLLb_W2Mhw-WUjaD3JU6mGhYkai0/img.jpg?width=810&height=540&coordinates=0,0,0,0 crop_info="%7B%22image%22%3A%20%22https%3A//assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzU2NzkzMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcwNzM5MDk3NH0.dOVZTE_QqML3EbrsLLb_W2Mhw-WUjaD3JU6mGhYkai0/img.jpg%3Fwidth%3D810%26height%3D540%26coordinates%3D0%2C0%2C0%2C0%22%7D" expand=1]

When Winter Baxter and Kelsey Beckford, co-founders of BeckzBax Supper Club, step into a restaurant, heads turn. It's impossible to miss Winter’s close crop cut and Kelsey’s flowing braids, both with glowing smiles that radiate genuine warmth and confidence. But, it’s not just the two that cause eyes to redirect from glasses of wine and exotic dishes, it's their entire party. The Spelman sisters turned best friends are also flanked by 10 to 15 Black women when they are all escorted to their table.

Keep reading... Show less
[rebelmouse-proxy-image https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzU5MjQ1OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcxMjg2NTk2MH0.crQ_-nYO4LMz5rO19I3GZP-EJ39mt6adRYLDtYuiZCo/img.jpg?width=2121&height=1414&coordinates=0,0,0,0 crop_info="%7B%22image%22%3A%20%22https%3A//assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzU5MjQ1OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcxMjg2NTk2MH0.crQ_-nYO4LMz5rO19I3GZP-EJ39mt6adRYLDtYuiZCo/img.jpg%3Fwidth%3D2121%26height%3D1414%26coordinates%3D0%2C0%2C0%2C0%22%7D" expand=1]

The fear of heat damage has been instilled in me since I went natural six years ago. Since then, I vowed to take my hair health seriously and put that above all else, unfortunately, straightening my hair didn’t seem to align. People will constantly tell me, “Don’t straighten your hair, it’ll mess up your curls.” I heard this so much that it made me nervous every time I had to do it.

Keep reading... Show less
To download your copy of
The Great Report
2020 Global Report Sheet
[rebelmouse-proxy-image https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzY0MzYwMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTc0NTIwNTk4MX0.Cx1-YRorvYVhNMRzUoI0q3SrqT_mdOlyknyIjXNzRRk/img.jpg?width=1245&height=700&coordinates=0,118,0,522 crop_info="%7B%22image%22%3A%20%22https%3A//assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzY0MzYwMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTc0NTIwNTk4MX0.Cx1-YRorvYVhNMRzUoI0q3SrqT_mdOlyknyIjXNzRRk/img.jpg%3Fwidth%3D1245%26height%3D700%26coordinates%3D0%2C118%2C0%2C522%22%7D" expand=1]

Actress and entrepreneur Gabrielle Union is bringing attention to the crucial role social media has played in shaping how Black actresses are perceived in the entertainment industry.

The 50-year-old, who began her career as a model before transitioning into acting, rose to fame between the late 1980s and 1990s by guest starring in several hit shows such as Saved by the Bell and Sister, Sister. Union's success would only skyrocket from there. Her breakout role, however, was in Bring It On, and from there, she starred in several other films and her own TV show, Being Mary Jane, and ultimately became a household name.

Keep reading... Show less
[rebelmouse-proxy-image https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzYyMzAyMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcwMjQ3Njg5MX0.g80SHVccAanslENDMnA-RRuhnRt1nI-tg03fqH-RvBI/img.jpg?width=1245&height=700&coordinates=0,0,0,603 crop_info="%7B%22image%22%3A%20%22https%3A//assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzYyMzAyMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTcwMjQ3Njg5MX0.g80SHVccAanslENDMnA-RRuhnRt1nI-tg03fqH-RvBI/img.jpg%3Fwidth%3D1245%26height%3D700%26coordinates%3D0%2C0%2C0%2C603%22%7D" expand=1]

I don’t know about (some of) y’all but every time that I see a 90s movie or television program turn the Big 30 (or hell, even 20, for that matter), it definitely makes me feel some type of way. Lawd, where does the time go? Truly. And I definitely don’t feel any differently about Living Single — the show that, for starters, we all know Friends should attribute at least 75 percent of its success to since it basically gypped its entire concept from it. (Don’t get me started! Just know that you can read more about that very thing here, here, here, here, and here).

Keep reading... Show less